I recently had the opportunity to see Man on Wire (2008, dir. James Marsh) for a second time, the award-winning documentary film which chronicles the exploits of Philippe Petit, who walked between the two towers of the World Trade Center in 1974.
As a child, I was fascinated with stories of daredevil acts, like the guy who rode over Niagara Falls in a barrel and came out alive, or Harry Houdini's exploits to break out of chains underwater. I am not old enough to remember Philippe Petit's stunning, illegal high-wire act, but I was able to visit the Twin Towers just one year before 9-11 (though I never went inside). It truly boggles the mind to contemplate what it meant to walk, essentially on air, not once, not twice, but eight times back and forth in the two hundred or so feet between the towers. And to lie down, and look down, as Petit did!
Perhaps the most extraordinary feat of Man on Wire is the complete omission of any direct reference to 9-11. While the director has stated that he did not include 9-11 on purpose -- "Why burden this beautiful story with the ugliness of that?" -- a 2008 review of the film in the Times Online (U.K.), questioned whether this film about a high-wire daredevil may actually be the "best 9/11 work of art so far" (see "Is Man on Wire the most poignant 9/11 film?"). Again, what is not stated, or what remains silent, is a powerful driving force of this film. We will discuss this movie further here after we view it for class.
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